AIT-Dialog Stipendien

Stipendiaten-Blog: Naomi Rossignol

These past 2 months, all my work and research have converged around the theme Landscape.
From all the visible features of an area of land and related to the limit of the vision, I was questioning the sense of it. Is it an inside or outside space? Horizontal, vertical, a landscape nearby or far away? Is it a natural or artificial one? Is it related to time and movement, or rather static? How do you perceive it? What is your relationship with it?

 

The Invisible Landscape, Hillegom,
South-Holland

I started my research looking at the flower fields of Hillegom, one of the most typical flat Dutch landscapes. Tulip cultivation areas surrounded by water canals. My first impression was that the place was rather quite. Moreover, I could see a real confrontation between the man-made land and the natural fauna and flora to maintain. I wondered how the farmers are sustaining their field, and what is the influence of the surrounding environment? To go deeper, I specifically decided to focus on the human, tulips and snails. Thus, I went on collecting a lot of information on-site and online and started to compare the three by making graphics.
What is their lifespan, adult size in centimeters, rate of growth in cm/day, speed of movement in km/h, for instance? It appeared to me that these were the invisible layers that are shaping the landscape.

Research using books, such as “Landscape and memories” by Simon Schama and literature helped me advance in my project. A thought from Le Petit Prince by St-Exupery has raised my attention as it introduces the notion of character in a landscape:
If you were to say to the grown-ups: «I saw a beautiful house made of rosy brick, with geraniums in the windows and doves on the roof,» they would not be able to get any idea of that house at all. You would have to say to them: «I saw a house that cost $20 000.» Then they would exclaim: «Oh, what a pretty house that is! »

These gave me a different perspective to look at the field of Hillegom, from a production point of view I got to the personality and the emotional side of the landscape where I finally ended my research by making a film.


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