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VERKAUF UND PRÄSENTATION  •  RETAIL AND PRESENTATION   INNERE WERTE  •  INNER VALUES































           Lichtdecken sorgen für eine nahezu schattenfreie Ausleuchtung. • Light ceilings provide shadow-free illumination.













           ©Diözesanmuseum Freising, Foto: Thomas Dashuber












           Das Bogenmotiv taucht unter anderem an den Vitrinenwänden auf. • The arch motif breaks up the showcase walls.  Blickbezüge – hier auf die Bronzeskulptur von Berlinde de Bruyckere • Bronze sculpture by Berlinde de Bruyckere



           von • by Brückner & Brückner Architektur, Tirschenreuth
           W     e respect the special place, its history and the building. With courage, we seek   of glass, provide maximum shading and optimal climate control, bringing the outside
                 new architectural solutions for a future-oriented museum; we have continu-
                                                                         inside. A harmonious interplay of glass, wood and plaster creates transparency and
           ed to build and develop – uncovering the old and embracing the new. At the centre   translucency. In the library’s wooden reading room, visitors find a place of retreat and
           are people and religious art and culture from ancient times to the present. Open  tranquillity for concentration, contemplation and study. Three openings lead to the
           walls form the core of our architectural concept, our most passionate image – both   large balcony, offering views of the landscape and the Weihenstephan Hill. Back in the
           inside and out. The enhanced depth of the historical façade creates transparency and   atrium, the museum café on the plinth level attracts visitors. An exceptional guest gar-
           curiosity from afar and up close. Invitingly open walls, floor-to-ceiling windows and   den, under large trees, provides views of Freising’s old town and the Alps. The spatial
           velvety-white surfaces attract visitors to the old-new entrance, guiding them to the   footprints of this building were set 150 years ago. Activating the historical legacy has
           foyer with a view of the bright core. The atrium is the heart of the building, a genuine   given us a house that, freed from burdens, now parades its original structures, while
           open space spanning across multiple levels. We open it to the sky, making the seasons   welcoming the new. Everything has come together to create a new and clear identity.
           and times tangible. The space plays with light and shadow, entrances, transitions and   The precise structure provides orientation and a functional infrastructure for the entire
           passages.In the atrium stands the oversized bronze sculpture Arcangelo by Belgian  museum. The staircases reinterpret the historical circulation and continue it in mul-
           artist Berlinde de Bruyckere. A special light welcomes visitors in the former chapel   tiple layers. Rooms are sensitively integrated into the existing fabric, using the same
           – now a room for the installation A Chapel for Luke and his scribe Lucius the Cyrene   high-quality materials as in the past. Inspirations come from history, craftsmanship
           by James Turrell. Bright arcades, resembling a cloister, create new framed views of  and the white colours of the Domberg. These materials can endure before tomorrow:
           the exhibition rooms and the surrounding landscape – perspectives, insights, vistas.   wood, stone, iron, glass and plaster capture the light and enable people to compre-
           Glass volumes interact with the space and the contents. The new multi-nave layout   hend. The wooden planks and historical elements from past centuries, as well as the
           embraces the melody of the building, offering selected views in all directions of the   transformed façades, tell the story and possibilities. Architecture becomes a walkable
           landscape and the town of Freising, fostering new encounters and dialogues with  and experienced history.Freed from technical constraints, the museum will provide
           people, art and the environment.The rooms for permanent and temporary exhibitions   excellent conditions for collecting, preserving, documenting, presenting and engaging.
           are flexible, encircling the atrium and the aisles. The new museum windows, made   Open walls will continue to engage in dialogue with religious art, culture and people.

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