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FACIEM No. 8, Sears Tower
                                                                                von Claesson Koivisto Rune,
                                                                                Stockholm

                                                                                www.claessonkoivistorune.se




                                                                              “Architecture is not art and art is not architecture. Yet it is pos-

                                                                              sible to find art in architecture and architecture in art,” say the


                                                                              architects Mårten Claesson, Eero Koivisto and Ola Rune from
                                                                              Stockholm. With their twelve-part graphic series FACIEM, they


                                                                              now work exactly at this interface of art and architecture. They

                                                                              themselves describe the work as a “search for the essence of the

                                                                              grid” and refer to the connection between the art of minimalism

                                                                              and modern architecture. As a starting point for their project,

                                                                              the three architects chose twelve famous 20th-century skyscrap-

                                                                              ers - including the United Nations Secretariat Building in New

                                                                              York by Le Corbusier and Oscar Niemeyer from 1951, the Sears

                                                                              Tower in Chicago, completed in 1974 by Skidmore, Owings and

                                                                              Merrill, as well as Dominique Perrault’s new building for the

                                                                              National Library of France in Paris dating from 1996.

                                                                              In a second step, the selected buildings were reduced to their

                                                                              façades respectively to façade details and graphically repro-

                                                                              duced. Each image consists of hundreds of detailed layers,

                                                                              which  were created, joined and superimposed in Adobe

                                                                              Photoshop. Three employees were occupied with this task for

                                                                              one year. In the process, details were repeatedly modified, ele-

                                                                              ments were removed or added - such as curtains, shading ele-

                                                                              ments or reflections. “We didn't have any drawings of the origi-

                                                                              nal high-rises, we just took over the proportions and added new


                                                                              things to them,” Claesson, Koivisto and Rune explain the work-
                                                                              ing process.


                                                                              During the Designart Festival in Tokyo at the end of October, the

                                                                              signed and framed series  was publicly exhibited for the first

                                                                              time. In this AIT issue, we present three of the twelve works.
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