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Abbildung: historische Postkarte, © Library of Congress, Prints and Photographs Division




















                                                                              Ein Verwandter Beckfords im Geiste wie im Schicksal war Ludwig II. – sein Exil hieß Schloss Neuschwanstein.


                                                                              activity and his secret life in the Fonthill Gifford forest. Now everyone – both foes and
                                                                              friends – wanted to see how the "Foul of Fonthill" lived. Beckford had expected this
                                                                              interest and had a catalogue of his collections to be auctioned produced in advance.
                                                                              More than 70,000 copies were sold within a few weeks. In addition, he opened the
                Foto: Creative Commons, © Daderot                             everyone interested. However, he himself left his property before the auction and left
                                                                              gates to Fonthill Abbey for the first time and took a substantial entrance fee from

                                                                              everything else to Christie's auction house. The building and its surroundings alone
                                                                              became the property of gunpowder manufacturer John Farquhar for the spectacular
                                                                              sum of 330,000 pounds. A big malinvestment, as it soon turned out: Only three years

                                                                              parts of the building. Thus, the haste with which Beckford had the building construct-
                Nachdem er Fonthill Abbey verkauft hatte, baute Beckford in Bath noch einmal einen neuen Turm.  after the purchase, on 21 December 1825, the abbey tower collapsed and buried large
                                                                              ed and with which he urged his architect to even more daring constructions finally
                                                                              took its toll. When Beckford heard about the collapse, he regretted – all English eccen-
                 drawings of the Décadence – for example for Oscar Wilde's "Dorian Gray" or the fig-  tric he was! – less the destruction of his life's work but rather the fact that he had
                 ure of Jean des Esseintes from Joris-Karl Huysman's novel "À rebours". Another com-  missed this last and perhaps greatest spectacle of Fonthill Abbey.
                 rade in spirit as in fate was the legendary Bavarian King Ludwig II. In the course of
                 his reign, he too – more interested in the stable boys than in the ladies of his court –  The end: A new tower
                 came increasingly into conflict with the moral ideas of his time and society. He also
                 fled into his own lonely exile: Neuschwanstein Castle, which he had built on an  It was all right for Beckford to laugh, because the auction of his property had made
                 impassable rock in the Bavarian foothills of the Alps and which, like Beckford's  him a rich man again. After the loss of his secluded forest abbey, he moved to Bath,
                 abbey, basically followed an ascetic medieval model – that of the castle – but which,  30 miles north of Fonthill Gifford, which was already regarded as the preferred retire-
                 like Fonthill Abbey, ultimately emerged as a highly artificial, completely exaggerated  ment resort of the British upper class due to its hot springs. Beckford lived here in sev-
                 dream world. And like Beckford half a century before him, King Ludwig II took over  eral interconnected houses at Lansdown Crescent, one of those striking, semi-circular
                 the construction and maintenance costs of his fairy-tale castle. The horrendous sums  squares that had been typical of Bath's cityscape since the 18th century. In addition,
                 he invested in Neuschwanstein ultimately cost the monarch his throne. Beckford had  Beckford owned extensive estates in the north of the city, which once again spurred
                 also failed to finance his gigantomanic escapist  venture, but in the downfall he  his creative urge. As in Fonthill, Beckford again created his own garden realm in Bath
                 proved far more skill and wit than the Bavarian king.        – with terraced areas full of exotic plants and romantic garden architecture such as
                                                                              footbridges, artificial grottos, and water basins. Again, he surrounded his property
                 The last spectacle of Fonthill Abbey                         with a high wall and crowned his works with a tower. Only the scale had changed:
                                                                              everything was only half as high and only half as big as in Fonthill Gifford. The new
                 Napoleon's Continental Blockade, which cut off British products from the European  tower, for example – Beckford commissioned the young, little-known architect Henry
                 market between 1806 and 1811, as well as the law banning slave trade enacted by  Goodridge to build it – was much more modest with a height of 47 metres. But its
                 Great Britain in 1807, severely affected the businesses of Beckford's family after 1800.  structure was much more stable! And so, the so-called Beckford Tower still bears wit-
                 In addition, the invention of modern industrial processes for the production of sugar  ness today to the passions and obsessions of its  owner.  Above all, the gilded
                 from domestic sugar beet caused the annual turnover from the sugar trade to drop  belvedere at the top of the tower, an octagonal temple based on the ancient Choragic
                 dramatically. This made it increasingly difficult for Beckford to finance the costly  Monument of Lysicrates in Athens, is visible from afar. The tower and the modest
                 maintenance of Fonthill Abbey. In 1822, he therefore decided to sell the property and  Italian country cottage below have served as a museum since the 1990s. Around it is
                 have part of his art collections auctioned. Beckford could now use the fact that he  a small, overgrown cemetery. It was laid out after Beckford's death and he himself
                 had hidden himself and his possessions from the public for years for one last big  was later reburied here. His mighty sarcophagus made of red granite stands on a
                 coup. The announcement of the auction alone spread like wildfire throughout the  small mound in the middle of the cemetery. The sublime frisson, which still emanates
                 country. Time and again, there had been reports about Beckford's ominous building  from his grave today, would certainly have pleased the horror and fairy tale author.


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