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Skychrome
                                                                                von • by Maxim Kashin, Moskau

                                                                                www.maximkashin.com



                                                                              The Skychrome room installation was created for this year’s

                                                                              Arch Moscow international exhibition of architecture and de-

                                                                              sign held in Moscow. The basic idea was to confront the visitors

                                                                              with an abstract room without any objects and intended to be

                                                                              free of functional and semantic implications. For this purpose,

                                                                              the architect Maxim Kashin drew on ideas and concepts from

                                                                              the art of the Russian supremacist movement at the beginning

                                                                                       th
                                                                              of the 20 century. The installation thus played on the superi-
                                                                              ority of colour over form! To achieve this, Kashin designed in a

                                                                              monochrome way and only used a soft colour gradient with

                                                                              dark purple slowly dissolving into bright white towards the top.

                                                                              The geometrical forms used mainly consisted of acute-angled

                                                                              volumes that looked like broken and interlocked ice floes. The

                                                                              visitors were invited to interact with the installation. They were

                                                                              able to walk around it or sit down on the geometric volumes.

                                                                              A mirrored floor, for its part, intensified the immersive effect of


                                                                              the spatial design and, at the same time, overrode the relative
                                                                              smallness of the installation with a base area that measured a


                                                                              mere 16 square metres.
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