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Entwurf • Design Maurizio Lai, IT-Mailand
                                                                                     Bauherr • Client Sushi Club
                                                                                     Standort • Location Via Don Luigi Viganò 74, IT-Cesano
                                                                                     Nutzfläche • Floor space 966 m 2
                                                                                     Fotos • Photos Andrea Martiradonna, Matteo Guidetti
                                                                                     Mehr Infos auf Seite • More info on page 134











                                                                                     SUSHI CLUB

                                                                                     IN CESANO MADERNO





                       „An immersive space, characterized by                         Fine Asian cuisine, staged against a theatrical backdrop –
                     dark colours, lines of light and a theatrical                   this is the secret recipe of Maurizio Lai who, with the

                     atmosphere, with a clever use of ceramics                       Sushi Club in Cesano Maderno, designed a restaurant
                                                                                     where, besides expressive elegance and relaxed exclusi-
                          to emphasize the lighting project.”                        vity, contrasting light effects and a well-balanced choice
                                                                                     of colours and materials play the main role, thus making
                                         Maurizio Lai                                an immersive room possible and appetite for more …



                                                                                     T   he architect and designer Maurizio Lai started his career as a stage
                                                                                         designer for international television stations and worked on retail-
                                                                                     and display concepts for several major luxury brands such as Gucci,
                                                                                     Longines or Montblanc. When he finally founded the Lai Studio in Milan
                                                                                     in 1998, he above all attached importance to creating valuable synergies
                                                                                     between architecture and design. This is because, for him, design is not
                                                                                     only about generating forms, atmospheres and experiences but it also
                                                                                     has to serve him as the tool when developing recognizable brands.
                                                                                     Above all his inventive dealing with light plays a fundamental role in all
                                                                                     of his projects – obviously, his roots as a stage designer come to the fore
                                                                                     here. This also goes for the Sushi Club in Cesano Maderno, located ap-
                                                                                     proximately 20 kilometres north of the Milan city centre: As one of five
                                                                                     restaurants operated by the constantly growing gastronomic enterprise
                                                                                     (two additional clubs are currently in the planning stage), the approxi-
                                                                                     mately 1,000 square-metre space on two levels is designed as a sceno-
                                                                                     graphic backdrop. Whereby Lai chooses a compository language cha-
             Grundriss Erdgeschoss • Ground floor plan                               racterized by harmonious dialogues of  materials, a clear design of vo-
                                                                                     lumes as well as diffuse lighting and culminates in an omnipresent light
                                                                                     production: Integrated lines of light at the vertical surfaces define an at-
                                                                                     tractive metric which is intensified by a complementing light installation
                                                                                     on the ceiling whereas, in the centre of the room,  an almost ceiling-
                                                                                     high sculpture of back-lit, particularly lightweight glass lamellae is en-
                                                                                     veloped by mirrors and additionally emphasizes the radiance of the il-
                                                                                     luminated overall dramaturgy in every direction. The interior furnishing
                                                                                     is in contrast to this: Monochromatically designed in dark, warm co-
                                                                                     lours and materials, theatrical scenarios are produced which are flexi-
                                                                                     ble enough to meet various requirements. Since Maurizio Lai himself
                                                                                     designed the light production as well as the furniture and had it hand-
                                                                                     made, the room concept has an especially consistent look: Every detail
                                                                                     becomes a basic element of the whole – in a play of opposites and con-
                                                                                     trasts, perfect balance and pointed references. All this compares very
             Grundriss Obergeschoss • Upper floor plan                               well with the delicious menus that are being served here.

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