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Baumeister Baroque
                                                                                 von Adam Nathaniel Furman,
                                                                                 London
                                                                                                                                          Foto: Julian Furman
                                                                                 www.adamnathanielfurman.com



                                                                              “Baumeister Barock” is a series of five architectural capriccios created

                                                                              for the “Sottsass. Father & Son” exhibition as part of the  Vienna

                                                                              Design Week 2015. The exhibition confronted the renowned ceramics

                                                                              by Ettore Sottsass Junior (1917-2007) for the manufacturing firm Bitossi

                                                                              with selected architectural drawings  by  his  father,  Ettore  Sottsass

                                                                              Senior (1892-1954), who worked as an architect in South Tyrol in the

                                                                              period before the Second  World  War. In my capriccios, the two

                                                                              Sottsass’  worlds come together, generating an imaginative style. It

                                                                              combines the psychedelic colours and shapes, which characterise the

                                                                              ecstatic futuristic utopianism of the 1970s and hence the  works of

                                                                              Sottsass Junior, with the romantic visions of alpine landscapes and


                                                                              architectures, as Sottsass Senior created them in the first half of the
                                                                              20th century. The series comprises an alpine fortress, which appears


                                                                              like an extraterrestrial base station; a mountain cave with a strange

                                                                              altar inside,  which seems to originate from some kind of techno

                                                                              mithras cult; a  mountain village with  village hall, post office and


                                                                              guesthouse, which dissolves in a whirling stream of colours; a village
                                                                              barn, where peasants and programmers could come together for a

                                                                              dance; and a mountain panorama intersected by modern infrastruc-

                                                                              tures pushing into the landscape as geometric displays.

                                                                                                                    Adam Nathaniel Furman
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