Page 140 - AIT0416_E-Paper
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WOHNEN  •  LIVING INNERE WERTE  • INNER VALUES

                                                                             A  lready in the early Middle Ages, the Swedish town of Jönköping on Vätterse had
                                                                                been an important market place and meeting point for travellers from all parts of
                                                                             the country. Centuries later, it became internationally famous for its match industry. Right
                                                                             in the town centre of Jönköping, in the 1960s the Swedish architect Hans-Ancker Holst
                                                                             built a church for the Salvation Army. Since then, the building never changed its use or
                                                                             its owner – until now: Whereas the Christian Free Church reduced its location, the NY
                                                                             Reklambyrå advertising agency in Jönköping was urgently looking for new premises since
                                                                             their old office had meanwhile become too small. They found the solution in the former
                                                                             church. The four female architects of Marge Arkitekter from Stockholm were commissio-
                                                                             ned  with converting the building. Pye Aurell Ehrström, Katarina Grundsell, Louise
                                                                             Masreliez and Susanne Ramel turned the church into a modern and functional office –
                                                                             without in the process affecting the special spatial qualities.  A large glass surface with a
                                                                             frame of white brick dominates the façade whose lower part with the main entrance is
                                                                             slightly recessed compared to the upper one. With the massive entrance doors giving
                                                                             replaced glazed doors with wooden frames, the low vestibule became a bright lobby
                                                                             where clients are received and waiting visitors can while awaytheir time.

                                                                             Studio in the former church nave

                                                                             Due to the low ceiling height of the vestibule, the next room looks all the more impres-
               Ganz in Ocker: Konferenzraum im Erdgeschoss • All in ochre: conference room on the ground floor  sive: The former nave extending over two levels had room for a studio with up to 26
                                                                             desks. To admit as much natural light as possible into the interior, the wall between the
               Alle Farben vereint die Wand im Gemeinschaftsraum. • The wall in the common room combines all the colours.
                                                                             former nave and the vestibule was removed and replaced with a glass wall. The wall
                                                                             separating the mezzanine located above it from the large hall now also consists of glass.
                                                                             This gives the employees of the administration sufficient privacy; yet the open, continu-
                                                                             ous working environment is preserved. It was thus furthermore possible to bring even
                                                                             more daylight into the studio space – complementing the skylights opposite the gallery.
                                                                             In the former nave, the more than 30 employees are able to enjoy a light-flooded working
                                                                             environment which communicates spaciousness and gives the advertising agency its very
                                                                             own appearance. Regarding the acoustics, however, the conversion of the church posed
                                                                             quite specific challenges for the architects. Since the reverberation in the large hall was
                                                                             to be reduced in order to create a pleasant, open office atmosphere, acoustic plaster was
                                                                             used. Additional sound-absorbing elements were mounted on the ceiling and are now
                                                                             concealed behind extended-metal grids of brass. The fabric-covered seating steps linking
                                                                             the ground floor with the upper storey and can be used for relaxed sitting together, lec-
                                                                             tures or film shows, also contribute to pleasant acoustics. The characteristic materials
                                                                             were not to be covered in the course of the conversion but emphasized and complemen-
                                                                             ted with suitable additions. In the former church hall, the typical wooden floor with its
                                                                             unusual installation pattern framed by brass strips reminds of the design of public spa-
                                                                             ces. Some of the brick surfaces were left unfinished, in other places they were painted
                                                                             white. Inspired by an extraordinary working environment, the employees are able to give
                                                                             free rein to their creativity on a total of 670 square metres!





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               Untergeschoss • Basement
                                                                                     5
                                                                                                                  5
               1  Eingang • Entrance
               2  Teeküche/Lobby • Coffee station/Lobby
               3  Atelier • Atelier
               4  Konferenzraum • Meeting room
               5  Pausenraum • Rest area                      4     6  7
               6  Tonraum • Sound room
               7  Ruheraum • Quiet room
               8  Verwaltung • Administration         Erdgeschoss • Ground floor                 Obergeschoss • Upper floor


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