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L ight is a fascinating phenomenon that influences our perception and health. Natural light is particu-
               larly diverse and has shaped our light requirements over the course of evolution. As lighting desi-
             gners, we learn from nature and take cultural backgrounds into account. In living spaces, we compose
             light to create variety, openness, cosiness and joie de vivre – light creates atmosphere and magic. Besides
             visual and psychological effects, light also has biological effects on our health. Healthy living means
             bringing plenty of daylight into our homes and supplementing it sensibly with artificial light. Sustainable
             lighting involves respecting darkness and taking into account the dynamics of day and night.

             Development of light preferences in different cultures

             Cultural diversity in the use of light is reflected in different lifestyles, architecture and urban development
             projects. This diversity leads to different likes and dislikes, particularly with regard to warm or cold light,          Grafik: Ulrike Brandi Licht
             depending on the latitude of the location. The duration of the twilight phases characterises people’s vie-
             wing habits: people near the equator are familiar with a quick transition to bright artificial light, as the
             change from bright daylight to dark night only takes a few minutes. Near the poles, twilight lasts longer,   Mindmap Lichtcharakteristika • Mind map of lighting characteristics
             with a long period of warm orange evening sky, so people in the north prefer warm artificial light in
             their homes. Understanding the psychological effects of light on people helps us plan light appropriately
             and strengthen certain uses intentionally. Darker lighting situations appeal to the imaginative, emotional
             side of the brain, while brighter rooms appeal more to the rational side. Psychologist Ingrid Gehl has
             developed a system that addresses the psychological basic needs of people regarding architecture and
             urban planning. There are eight elements of psychological well-being: social interaction, privacy, space
             for diverse experiences, endowment with meaning, play, structure and orientation, personal control, and
             aesthetics and beauty. Differentiated light is the secret to good lighting design. Lighting solutions in our
             homes reflects our personality and style. Smart control technology allows us to play with variations in
             light colour and brightness, providing room for creativity. However, the healthiest light is natural day-
             light. With its day-night rhythm, it influences all living beings on Earth and controls important biological
             processes. Particularly noticeable are the psychological effects of light deficiency during seasonal chan-
             ges. Spending time outdoors is the best protection against many physical and psychological illnesses. It’s               Grafik: Ulrike Brandi Licht
             important to receive all wavelengths of daylight as well as sufficient darkness for sleep. To achieve a high
             light dose in the morning, artificial light can be supplemented on cloudy days with daylight lamps and
             “light showers”, which medical research shows can help with depression and fatigue. When we inte-  Mindmap Lichtstimmungen • Mind map of lighting moods
             grate smart lighting control, we can also tailor it to our daily rhythm. Healthy light considers the times
             of day and corresponds to the human circadian rhythm. Artificial light is based on the characteristics
             and moods of natural light, and lighting scenes follow the course of the day. A dynamic change between
             lighting scenes, from morning to night, supports the stabilisation of our circadian rhythm. For us lighting
             designers, natural light is the starting point and benchmark: if architects, urban planners, and clients
             take these insights into account early in their considerations, we can integrate daylight into buildings.

             Dialogue between materiality and light

             Light and surfaces engage in a constant dialogue: without light, there is no space, and without surfaces,                Royal Academy of Music, London; ritchie*studio; Foto: Adam Scott
             light remains invisible. Understanding this mutual dependency is crucial. Within a light fixture, light and
             surfaces interact, whether it’s the glossy reflector directing light beams or the transparent lampshade
             diffusing light broadly. These correspond to two fundamentally different light characteristics found in
             nature: sunlight and skylight. The reflector enhances direct, brilliant light, while backlit surfaces produce
             shadowless, even light. Human perception, shaped by interpretation and experience, plays a significant
             role. Pleasant lighting often combines both types, as diffuse light alone can feel lifeless and boring, while   Brillantes Licht trifft auf weich reflektierendes Holz • Brilliant light meets softly reflecting wood
             direct light alone may be too dramatic and glaring. Natural daylight offers a vast range, up to 100,000
             lux, but indoor spaces typically range from 50 to 500 lux. Fortunately, we can adjust light intensity
             and combine sources to suit different conditions and personal preferences. The colour temperature has
             also become important. Measured in Kelvin, lower values indicate warmer light: candles emit light at
             2200 Kelvin, incandescent bulbs at 2700 Kelvin, and LEDs for residential use typically range from 2700
             to 4000 Kelvin. Colour temperature of white light, along with object colours, evokes associations and
             shapes our perception of lighting ambiance. Additionally, the colour rendering index (CRI) is a crucial
             quality criterion for luminants; it measures how accurately colours appear under a light source compared
             to natural light. High CRI values ensure natural-looking colours. Combining various light sources with
             different materials, colours and finishes yields different lighting moods. A practical experiment conduc-
             ted at the AIT-ArchitekturSalon Hamburg demonstrated this phenomenon, showcasing how different                           Foto: Martina Orsaka für CIRECA Domaine de Boisbuchet
             surfaces react to consistent lighting conditions. The experimental set-up included a white room and a
             light source with 2700 Kelvin and Ra 98 in a constant position as well as changing materials (yellow
             matt cardboard, the shiny golden side of a rescue sheet, solar control glass, blue matt cardboard). The
             effect on the room can be seen on all surfaces. For example, a kitchen table made of cherry wood reflects
             warmer light onto the faces of the people sitting there than a glass table or a steel-blue painted surface.   Die Kerzenflamme: warme und bewegte Lichtquelle • Warm and moving light source

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