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floors serve mainly as storage areas, but they also
                house the drying room, workshops, administration of-
                fices, and the staff canteen. The second part was a
                practical exploration of the material clay and the co-
                lourfulness of glazes. In addition, the overriding que-
                stion of the way and appropriateness of the external
                appearance of a company producing architectural ce-
                ramics was posed and we analysed how a contempo-
                rary company can position itself in this respect. On
                the basis of over 300 samples, an approach to the ma-
                terial clay and its colouring through glazing was un-
                dertaken. The aim was to develop a product that re-
                presented the company and its claim to quality and
                craftsmanship. While researching Persian brick buil-
                dings from the 12th century, we repeatedly observed a
                vivid texture of the wall surfaces. This impression is
                created above all in the effect from a distance. This
                was fascinating because it is contrary to everything we
                know from today's industrially produced bricks. The  Differente, gebrannte Oberflächen • Differentiated fired surfaces  Natürliche, einzigartige Farben • Natural, unique colours
                characteristic of the wall surface that we describe as
                vibrant and rough is created by the addition of various
                geometric or floral ornaments. Their three-dimensio-
                nal nature provides the basis of the structure. The
                roughness became the starting point of the material
                study, because it was precisely in dealing with the ob-
                served roughness that we saw the way for ourselves  Weitere Informationen unter
                                                               www.varicor.com
                rather than in designing a specific or tangible shape,
                as historical references do with their ornaments.

                Everything organic burns
                                                               Vielfalt aus einem Guss.
                Our approach breaks away from the classical orna-
                ment, yet still adopts its main characteristics. For the
                                                               Mit überragender Mineralwerkstoff-Kompetenz ist VARICOR der anerkannte Spezialist für
                study, we defined these properties in an abstract form
                                                               individuelle Formgebung im Nass- und Sanitär-Bereich. Unsere Expertise in der Gusstechnik
                as elevation and, at the same time, we considered  sorgt dafür, dass unsere Kunden bei VARICOR finden, was sie sich wünschen: Planungssicherheit
                how elevated and recessed areas develop within a  und ein optimales Kosten-Nutzen-Verhältnis bei grenzenloser Gestaltungsfreiheit in Form und Farbe;
                shape and can also be translated into an economi-  ob bei individuellen Einzelstücken, Kleinserien oder fugenlos verarbeiteten Reihenanlagen.
                cally meaningful manufacturing process.  Our ap-
                proach was based on trust in the material properties
                and the actual manufacturing process. At a firing tem-
                perature of about 1200 degrees Celsius, which is ne-
                cessary to achieve the weather resistance of bricks,
                everything organic is burnt away to nothing. We took
                advantage of this circumstance for the design of the
                clay elements. Organic materials were incorporated
                into the surface of the soft clay to shape the desired
                structure. During the firing process, these substances
                were burnt without residue and leave their imprint on
                the surface. The bricks thus produced clearly come
                from the same family, but are yet individual and uni-
                que pieces. Through this random technique, the end
                product still reminds of its former malleable consi-
                stency – at the same time, the process of firing thus
                becomes  visible. Our attempts at colouring bricks
                were also characterised by inconsistency. Described
                in simple words, a coloured glaze is made up of a
                basic glaze and added colour pigments. These pig-
                ments are decisive for the colour after the firing pro-
                cess. From a historical viewpoint, earths, metals, or
                minerals have been used for this purpose. Conse-
                quently, specially coloured glazes were often closely
                related to the geological characteristics of their sur-
                roundings and are typical of a cultural area.
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