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Entwurf • Design dRMM architects, GB-London
                                                                                        Bauherr • Client Maggie´s Centres, GB-Glasgow
                                                                                        Standort • Location Sheepfoot Ln, GB-Oldham
                                                                                        Nutzfläche • Floor space 260 m 2
                                                                                        Fotos • Photos Jasmin Sohi, Alex de Rijke
                                                                                        Mehr Information • More information 136


















                                                                                        MAGGIE’S CENTRE

                                                                                        IN OLDHAM



                                                                                        It is the legacy of a strong woman: Margaret Keswick
                                                                                        Jencks died of breast cancer 22 years ago. One year later,
                                                                                        the first Maggie’s Centre already opened in Edinburgh.
                                                                                        The meanwhile 21st cancer aid centre, in Oldham near
                                                                                        Manchester, began operating in the summer of this year.
                                                                                        The London dRMM architectural office designed the light-
                                                                                        flooded and completely timber-construction place of
                                                                                        peace and contemplation.



                                                                                        T   he wife of the American architecture theorist Charles Jencks – called
                                                                                            Maggie by her friends – had made the distressing experience during
                                                                                        her cancer therapy that the environment of traditional clinics is hardly
                                                                                        able to have a positive influence on the psyche of the sufferers. Together
                                                                                        with her husband, two years prior to her death she had started to think
                                                                                        about treatment facilities which complement the clinics with a pleasant
                                                                                        setting for medical consultation and psychological support. This resulted
                                                                                        in the Maggie Keswick Jencks Cancer Caring Centres Trust (also see AIT
                                                                                        11.2015). For planning its facilities, the foundation – also due to the good
                Grundriss • Floor plan                                                  contacts of Charles Jencks – was able to involve internationally renowned
                                                                                        architects such as Zaha Hadid, Rem Koolhaas or Richard Rogers. For Alex
                                                                                        de Rijke, co-founder of the London dRMM architectural office and, as Dean
                                                                                        of the Royal College of Arts, an active supporter of timber architecture, it
                                                                                        was an honour and a concern at the same time to take on the planning
                                                                                        of the meanwhile 21st Maggie´s Centre, this time in Oldham. This is becau-
                                                                                        se he sees an immediate connection between developing cancer and the
                                                                                        built environment as well as the materials used. The question of the con-
                                                                                        struction material for his “well-made, carefully proportioned, simple box”,
                                                                                        as de Rijke claims, was no issue for him as the planner of the first buil-
                                                                                        dings made of cross-laminated timber in Great Britain. The low, wood-
                                                                                        clad cube now stands on thin stilts in the clinic grounds and hovers airily
                                                                                        and lightly above the garden. The construction of cross-laminated hard-
                                                                                        wood – the first worldwide – also reflects in the interior: American tulip
                                                                                        wood covers the walls and the ceilings and is also used for the furnishing.
                                                                                        The single-storey building is penetrated by a glass sculpture reminding of
                                                                                        an oversized Alvar Aalto vase which links the interior with the garden and
                                                                                        the sky. Arranged around it are small, more private rooms, a kitchen unit
                                                                                        with a cafeteria and a seating ensemble with a fireplace which can be
                                                                                        separated with a curtain. What all the zones have in common is a warm
                                                                                        atmosphere characterized by the yellow colour of the flooring and the
                Schnitt • Section                                                       wooden surfaces as well as a view of nature – an elaborate manifesto for
                                                                                        healthcare architecture.

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