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Entwurf • Design Toop architectuur, BE-Westouter
                                                                                     Bauherr • Client Toop architectuur, BE-Westouter
                                                                                     Standort • Location Casselstraat 9, BE-Westouter
                                                                                     Nutzfläche • Floor space 36 m 2
                                                                                                                                       Foto: Serge Anton
                                                                                     Fotos • Photos Tim Van de Velde, BE-Brüssel
                                                                                     Mehr Infos auf Seite • More information on page 150











                                                                                     ARCHITECTURAL OFFICE

                                                                                     IN WESTOUTER






                                                                                     'Re-interpreting flexible office space' was the central
                                                                                     idea of the unusual concept with which the Belgian ar-
                                                                                     chitectural firm TOOP responded to the need for more
                                                                                     office space. The solution was cost-effective shipping
                                                                                     containers. They can be easily converted and opened
                                                                                     up, they can be placed almost anywhere and — depen-
                                                                                     ding on the cladding — interact with the location.
             Grundriss • Floor plan

                                                                                     I nvisible does not necessarily mean inconspicuous. This is demon-
                                                                                       strated by a small architecture firm based on the northern border
                                     „An office which is as invisible                of Belgium to France with the extension of its office space by two con-

                                     as possible and always lets the                 verted shipping containers. While one container is designed to match
                                                                                     the characteristics of a typical plot of a terraced house in the centre
                                          landscape speak at its                     of a city and adapts to the built structure with wood panelling, a
                                                 maximum.“                           second container merges into the surrounding nature. By cladding
                                                                                     the outer skin with mirrored aluminium panels, the surroundings are
                                             TOOP architectuur                       reflected on the envelope of the container, and the small building,
             Querschnitt • Transversal section                                       located in the middle of the landscape, thus disappears almost com-
                                                                                     pletely into the greenery in an impressive way. In addition, the inside
                                                                                     of both containers, of course, had to undergo a through conversion
                                                                                     to upgrade it compared to its previous purpose. For the interior walls,
                                                                                     the architects used inexpensive plywood; in addition to the floor and
                                                                                     ceiling, they also used this material for all fixtures such as the shelves
                                                                                     and desks – not least to show their clients that individual solutions
                                                                                     can be implemented even with a small budget. The dimensions of
                                                                                     the panels determine the modules and are the basis for the width of
                                                                                     table tops and shelf depths. Untreated steel strips with interlocking
                                                                                     joints  form  the vertical  elements  of  the  furniture  systems, which
             Längsschnitt • Longitudinal section                                     do not need to be screwed or bolted together and thus maintain a
                                                                                     high  degreeof  flexibility  and  reuse.  Three  floor-to-ceiling,  sliding
                                                                                     window elements take up most of the front façade and literally open
                                                                                     up the possibility of an impressive workplace in the open air. This
                                                                                     reveals the great importance that the Belgian architects attach to
                                                                                     intensive interaction between inside and outside, which is the focus
                                                                                     of many of their projects. They see their architectural laboratory as
                                                                                     a diptych, because as a project it consists of two individually develo-
                                                                                     ped cubic volumes at two different locations. They can imagine anot-
                                                                                     her container that once again provides a different answer to a diffe-
                                                                                     rent location, only to become part of a triptych — with the prospect of
             Ansicht • View                                                          creating a polyptych.

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