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Entwurf • Design Solar, ES-Madrid
                                                                                    Bauherr • Client Eduard Saura, ES-Madrid
                                                                                    Standort • Location Calle de Castelar 20, ES-Madrid
                                                                                    Nutzfläche • Floor space 250 m 2
                                                                                    Fotos • Photos Adriá Goula
                                                                                    Mehr Infos auf Seite • More info on page 118











                                                                                    CASTELAR HOUSE

                                                                                    IN MADRID





                                                                                    Rarely is extension work on existing buildings as contra-
                                                                                    dictory and yet harmonious as in the Casa Castelar. Cont-
                                                                                    emporary influences characterize the house from the Wil-
                                                                                    helminian period and create unexpected contrasts. With
                                                                                    much sophistication and clever use of space, the design
                                                                                    by Solar opens up new perspectives for dealing with his-
                                                                                    torical buildings – without sacrificing modern needs.


                                                                                    B  uilt in the 19th century, the Madrid Moderno development com-
                                                                                       prised a total of 96 residential buildings. Designed according to the
                                                                                    principles of the garden-city movement, it was conceived as a solution
                                                                                    to the rural exodus during the industrial revolution and was intended to
                                                                                    combine the advantages of city- and country life. Due to the real-estate
                                                                                    boom in the 1970s, only about 14 buildings remain today. The poor con-
                                                                                    dition of the Casa Castelar made gutting the building inevitable. Since
                                                                                    Ana Herreros and Pablo Canga of Solar saw the value of preserving not
                                                                                    only the Wilhelminian-style façade with a bay window, they also parti-
             Grundrisse: Erdgeschoss bis 2. Obergeschoss • Floor plans: Basement floor to level +2  ally restored the original room structure. The L-shaped floor plan with
                                                                                    an inner courtyard from 1890 was revealed by removing later additions.
                                                                                    While the street-side façade was restored according to the historical
                                                                                    model, the rear façade presents itself in a contemporary way with a per-
                                                                                    forated aluminium facing shell and recessed shutters that provide pro-
                                                                                    tection from the summer sun. The link between the interior and exterior
                                                                                    is created with aluminium, which is used repeatedly, for example, on
                                                                                    the trapezoidal sheet metal ceiling, the surface-mounted cable ducts
                                                                                    and the built-in furniture. The theme of perforation is also continued
                                                                                    inside, but on the wooden surfaces of the built-in units, which optimize
                                                                                    the use of space. Cut-outs in the shelving units and new rectangular
                                                                                    openings produce lines of sight between the living room, hallway and
                                                                                    staircase – similar to the enfilade-like openings on the ground floor:
                                                                                    between the living room, dining room and hallway. The first floor, with
                                                                                    a bedroom, bathroom and study, is reserved for private use, while the
                                                                                    second floor has a one-room flat and the roof terrace, providing ample
                                                                                    space for guests. The duality of past and present is brought to life here:
                                                                                    instead of just restoring the building or constructing a completely new
                                                                                    one, Herreros and Canga have managed to preserve historically relevant
                                                                                    details and bring them into harmony with modern elements. Furthermo-
                                                                                    re, their sustainable approach allows the home’s energy consumption
                                                                                    to be reduced by more than 70 percent, thus reinforcing the idea that
             Schnitt • Section                                                      historical buildings can be transformed without losing their essence.

                                                                                                                          AIT 3.2025  •  085
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