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Entwurf • Design Seiler Linhart Architekten, CH-Sarnen
                                                                                     Bauherr • Client Obwaldner Kantonalbank, CH-Sarnen
                                                                                     Standort • Location Im Feld 2, CH-Sarnen
                                                                                     Nutzfläche • Floor space 8720 m 2
                                                                                     Fotos • Photos Rasmus Norlander, CH-Zürich
                                                                                     Mehr Infos auf Seite • More info on page 126











                                                                                     KANTONALBANK

                                                                                     IN SARNEN






                         „Das Fassadenbild soll Ausdruck für                         On the northern edge of the historic centre of Sarnen, a
                                                                                     working- and residential district is to be established.
                   Beständigkeit, Regionalität und Vielfalt sein.“                   Seiler Linhart exemplarily and progressively master the

                                 Seiler Linhart Architekten                          beginning of the settlement development with their
                                                                                     new building for the Obwaldner Kantonalbank OKB.
                                                                                     Characterizing the design are the façade and the visible
                                                                                     construction of ash- and spruce wood from local forest.



                                                                                     T   he new headquarters of the OKB bank is located between a resi-
                                                                                         dential district that has plenty of green spaces and a bleak com-
                                                                                     mercial area. With its five-storey building volume, the construction – so
                                                                                     far standing alone – cleverly connects the previously sudden change
                                                                                     from a small- to a large-dimensioned peripheric development. The, at
                                                                                     first glance, ambiguous material of the building also has a communica-
                                                                                     tive effect since the wood of the dark, grey-brown coloured façade only
                                                                                     becomes manifest in detail from close up. The delicate perpendicular
                                                                                     joints and millings of the vertical and the decorative reliefs of the hori-
                                                                                     zontal framework alternate between the rustic and the opulent. This ap-
                                                                                     parent contraction is effectively continued in the central, double-storey
                                                                                     reception hall. The untreated laminated timber and the bright floor pa-
                                                                                     nels of cement and regional river gravel look extremely noble. The ran-
                                                                                     dom appearance of the wood grain and the aggregate contrasts with the
                                                                                     spatial sequence. The two-quarter spiral stairs and the two posts in
                                                                                     front of it – which stand at a 45-degree angle to the rest of the construc-
                                                                                     tion – also defy traditional stiffness. It is these loving details that propa-
                                                                                     gate emotio instead of ratio as – with the only exception such as LRO
                                                                                     (see p. 94) – it is nowadays only known from the Swiss. The timber con-
                                                                                     struction produces a square ceiling grid that, in turn, is subdivided by
                                                                                     upright attached small plates between which the so-called human cen-
                                                                                     tric lighting is concealed – a dynamic kind of lighting that reflects the
                                                                                     course of daylight. From the foyer and the consulting counters, one is
                                                                                     guided up the stairs to the gallery level and there arrives at the meeting
                                                                                     rooms and a large multifunctional room. The offices of the employees
                                                                                     on the two standard floors upstairs and the top floor are accessed
                                                                                     through separate entrances on the ground floor and through the under-
                                                                                     ground carpark; this is also where an interior courtyard with a height
                                                                                     of ten metres successfully supplies the central corridor with daylight.
                                                                                     We look very much forward to the further development of the district
                                                                                     – with the architecture designed by Seiler Linhart Architekten, there is
                                                                                     already a considerable asset on the plus side.

                                                                                                                           AIT 12.2022 • 077
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