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Entwurf • Design Gianni Botsford Architects, GB-London
                                                                                    Bauherr • Client Joseph Kohlmaier
                                                                                    Standort • Location Isle of Wight
                                                                                    Nutzfläche • Floor space 166 m 2
                                                                                    Fotos • Photos Schnepp Renou, James Eagle (außen)
                                                                                    Mehr Infos auf Seite • More info on page 134











                                                                                    THE 0LD BYRE

                                                                                    ON THE ISLE OF WIGHT





                                                                                    Between old buildings, new construction and renovation:
                                                                                    Somerton Farm is on the Isle of Wight in Great Britain,
                                                                                    between pastures, a harbour town and light industry. For
                                                                                    centuries, the farm was agriculturally used – in 2023, two
                                                                                    buildings used for livestock breeding were converted into
                                                                                    a place for living and creative work. A concept by Gianni
                                                                                    Botsford Architects from London.


                                                                                    J  oseph Kohlmaier lives and works at the Metropolitan University in
                                                                                      London. He bought both buildings, now known as The Old Byre, to
                                                                                    create a home and creative space for himself and his guests. The client,
                                                                                    himself an artist and university lecturer, deliberately pushed for a high
                                                                                    degree of creative openness in the design process – but the unconven-
                                                                                    tional solutions only reveal themselves at second glance. A long road
                                                                                    separates light industry from Somerton Farm. Upon arrival, an ensemble
                                                                                    of historic and repurposed buildings presents itself. Some have been
                                                                                    renovated, others remain in their original state. The insulating corrugated
                                                                                    fibre-cement panels of the façade are reminiscent of agricultural use and
                                                                                    do not allow a view of the interior. Only the passageway between the buil-
                                                                                    dings allows a glimpse into a sheltered courtyard. The range of colours
                                                                                    and materials is limited to light tones and a translucent polycarbonate
                                                                                    façade punctuated by large glazed aluminium doors as separate entran-
                                                                                    ces. There is also is a height-compensating concrete base that extends all
             Grundriss Erdgeschoss • Groundfloor plan                               the way into the interior. A structural connection has been deliberately
                                                                                    avoided, thus creating social interaction spaces as thresholds between
                                                                                    private and communal areas. The former cowsheds have been given dif-
                                                                                    ferent functions: The smaller structure houses the living- and dining area,
                                                                                    while the L-shaped volume offers sufficient space for bedrooms and wor-
                                                                                    krooms. Designed as a house-in-house system in timber-frame construc-
                                                                                    tion with spruce plywood, the building is divided into bedrooms, which
                                                                                    are arranged in uniform cubicles on the inner sides, and studio rooms. In
                                                                                    order to preserve the character of the site, efforts were made to retain the
                                                                                    existing building fabric and, in particular, the supporting structure – classic
                                                                                    brickwork and an open wooden roof construction. The successful result
                                                                                    is evident in the combination of contemporary influences, supplemented
                                                                                    where necessary by structural interventions, and an authentic material
                                                                                    language from the past. The further archetypes that animate the design
                                                                                    are the piazza, the archive and the demand of the environment and other
                                                                                    features. A project by Gianni Botsford Architects that opens up new per-
             Schnitt • Section                                                      spectives in the existing context.

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