Page 135 - AIT0719_E-Paper

Atelierraum mit grünem Fenstermöbel, dessen Bank draußen zum Verweilen einlädt. • Studio with green furniture surrounding the window whose outside bench invites to linger.

Arbeitszimmer über der Garage • Study above the garage Ostfassade mit vergrößerten Fenstern • East façade with enlarged windows

is produced; during the heating period, they are closed. Installations structure the
room for the required uses. The interventions as well as the building stock consist
Wohnen
Wohnen
mainly of two materials: concrete and wood. The patina which has originated during
Feuer stelle
the past 50 years makes the layers of time noticeable. The wooden installations were
Warenlift
best.
designed in such a way that it was possible to have them manufactured on site due
Wer kbank
to precise craftsmanship. Garage
Ba d
Schlaf en WC
Adding a new layer of time to the building Gästezimmer
Reduit
alte
Atelier
As regards their surface, the majority of the materials remain untreated. Space-defi- Waage
ning items of furniture were installed in the large hall of the former shop which con- B
tain the bathroom, WC, wardrobes and guest rooms, produce spatial niches and sub-
divide the total space into a living- and a studio area. Towards the street, the studio Bänkli
shows a new green item of furniture surrounding the window which, outside, invites Grundriss Erdgeschoss • Grund floor plan
to linger on a long bench and, inside, serves as a shelf unit. All the shelves and visible
constructions are made of spruce, all the furniture and doors of maritime pine. In
Atelier
some parts, addition insulation of the outer walls was necessary. These parts of the
wall were also panelled with maritime-pine boards on the inside. All the kitchen base
Wo hnen Werkstatt und Gar age
cabinets are made of oak. What was important for the architect was the visibility of
the layers and combination of the materials and the, to a large extent, untreated,
Lager
rough surfaces. Existing materials were not restored but kept as they were with all
their traces of usage. The delicate precise details of the installations contrast with the Lager
rough materials – a place that shows the traces of time and whose history is readable.
It is exactly what Bollinger wants: to simply add a new layer of time to what is old. Schnitt • Section

AIT 7/8.2019 • 135