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Tale of Tiles
                                                                                Adelaide Testa & Andrea Marcante

                                                                                www.marcante-testa.it



                                                                              Tale of Tiles is the name which the Turin architects Adelaide

                                                                              Testa and Andrea Marcante together with Aga Slusarczyk gave to

                                                                              their dreamlike palace architecture forming the background for

                                                                              the presentation of the latest collection of ceramic tiles made by

                                                                              Ceramica Vogue. The unusual patterns of the Dekorami collec-

                                                                              tion exude noblesse and festivity. They are a wall decoration in

                                                                              the best sense of the word. The surface structures of the tiles ac-

                                                                              tivate a tactile kind of memory; they bring to mind decorations

                                                                              and stylistic features of bygone eras. The architecture of the

                                                                              palace reacts in turn by itself awakening associations  with

                                                                              highly diverse architectural epochs of the past. The atmosphere

                                                                              in these rooms – which can always represent ambiguous interi-


                                                                              ors and exteriors – resembles the atmosphere we know from our
                                                                              dreams when our subconscious only communicates with us in


                                                                              signs, allusions and symbols. There are neither pieces of furni-

                                                                              ture nor human beings in the rooms of the palace designed by

                                                                              Testa and Marcante, just a few enigmatic animals populate the

                                                                              settings. They appear to be frozen while the light mostly shining

                                                                              from the zenith and enhanced by its reflection on the ceramic

                                                                              surfaces also contributes to immersing ourselves in the motifs

                                                                              of the fictitious palace architecture. Testa and Marcante them-

                                                                              selves talk about “almost metaphysical rooms”; their palace, the

                                                                              architects state, is intended to be a homage to the painter Gior-

                                                                              gio de Chirico and his famous painting “The Disquieting Muses”.

                                                                              Their palace plays on the relationship between nature and cul-

                                                                              ture while, however, succeeding in leaving the respective forces

                                                                              in an ambiguous balance. For additional motifs of the same se-

                                                                              ries, please see the double pages 036/037 and 052/053.
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